Canadian television has produced some truly exceptional dramas that blended compelling storytelling with authentic local flavour. From crime thrillers to heartfelt family sagas, these shows captured the country’s diverse voices and landscapes while earning loyal audiences at home and abroad. Yet, many of them ended too soon, leaving fans wishing for one more season. Here are 22 Canadian TV dramas that deserve a comeback.
Orphan Black
“Orphan Black” redefined Canadian sci-fi with its groundbreaking premise and Tatiana Maslany’s remarkable performances as multiple clones. The show combined genetic ethics, corporate greed, and questions of identity into a gripping, futuristic narrative that captivated global audiences. Its mix of mystery and emotional storytelling earned it critical acclaim and an international fan base. With new developments in biotechnology and cloning debates today, a revival could explore timely ethical questions while reuniting fans with their favourite clone sisters.
Rookie Blue
“Rookie Blue” brought an engaging mix of police drama and personal stories, following young officers as they learned to balance duty, morality, and relationships. Its strong cast, led by Missy Peregrym, helped the show build a loyal fan following across Canada and the U.S. The series ended on a satisfying but open note, leaving many viewers wanting to see where the rookies’ lives and careers went next. Its realistic tone and emotional arcs would make a revival both nostalgic and relevant in today’s TV landscape.
Being Erica
“Being Erica” was a rare blend of fantasy and self-help storytelling, following Erica Strange as she travelled back in time to fix her past mistakes. Erin Karpluk’s heartfelt performance made the series deeply relatable, touching on themes of regret, growth, and acceptance. Its clever use of therapy and time travel as metaphors for healing resonated with many Canadians. With today’s renewed interest in mental health and introspection, “Being Erica” could easily return as a modern exploration of self-discovery and second chances.
Continuum
“Continuum” mixed time travel with social commentary, telling the story of a police officer from the future stranded in present-day Vancouver. The show tackled issues like technology’s role in society, corporate dominance, and rebellion, while delivering high-stakes action. Rachel Nichols anchored the series with emotional strength, supported by a stellar Canadian cast. Fans still discuss its thought-provoking ending, and a revival could explore the consequences of time manipulation in an even more technology-driven world.
Durham County
“Durham County” offered a haunting look at suburban darkness, blending psychological tension with crime drama. Its chilling atmosphere and complex characters made it one of Canada’s most underrated shows. Hugh Dillon delivered a gripping performance as a detective battling both external and internal demons. The series tackled themes of trauma, violence, and morality in ways that were both disturbing and deeply human. With the rise of true crime and prestige thrillers, this series could find a new audience through a reboot or continuation.
Da Vinci’s Inquest
“Da Vinci’s Inquest” set the standard for Canadian procedural dramas, combining investigative grit with social realism. Nicholas Campbell’s portrayal of coroner Dominic Da Vinci brought nuance and empathy to stories often overlooked in traditional crime shows. Its Vancouver setting and willingness to address systemic issues like addiction and homelessness made it both entertaining and socially relevant. A revival could seamlessly bring Da Vinci’s perspective into modern-day challenges such as opioid crises and public health concerns.
Republic of Doyle
“Republic of Doyle” charmed viewers with its blend of detective work, family drama, and Newfoundland humor. Set in St. John’s, it showcased the province’s culture and scenery while delivering witty dialogue and engaging mysteries. Allan Hawco’s portrayal of private investigator Jake Doyle became iconic for his charisma and rebellious charm. The show ended on a high note but left fans wanting more adventures. A return could easily explore new cases and generational dynamics within the Doyle family business.
Traders
“Traders” offered a sharp and intelligent look at the fast-paced world of high finance in Toronto. The show delved into the personal and ethical challenges faced by investment bankers navigating moral compromises and market chaos. Its well-written scripts and stellar cast, including David Cubitt and Patrick McKenna, made it a standout drama in Canadian television during the late 1990s. In today’s world of cryptocurrency, corporate scandals, and financial power plays, a revival of “Traders” could bring timely relevance to modern viewers while maintaining its original intensity and intelligence.
Bomb Girls
“Bomb Girls” paid tribute to the women who worked in munitions factories during World War II, offering a rarely told perspective on female strength and sacrifice. The series portrayed camaraderie, love, and personal growth amid the backdrop of wartime Canada. Starring Meg Tilly and Jodi Balfour, it combined strong character development with historical authenticity. Its abrupt cancellation left fans disappointed, as there was much more to explore about post-war life and women’s evolving roles. A revival could expand on these themes while honoring its legacy of empowerment and resilience.
Intelligence
“Intelligence” was a gripping look at organized crime and espionage in Vancouver, blending political intrigue with the criminal underworld. Created by Chris Haddock, it followed crime boss Jimmy Reardon and CSIS agent Mary Spalding in a world where alliances constantly shifted. The show’s realistic tone and layered storytelling earned it critical acclaim but a short lifespan. Today, with increased interest in espionage and cybersecurity, a modern reboot could explore Canada’s role in global intelligence while retaining its grounded, gritty realism.
Cardinal
“Cardinal” stood out as a beautifully shot, emotionally charged crime drama set in Northern Ontario. Based on Giles Blunt’s novels, it followed detectives John Cardinal and Lise Delorme as they investigated dark and complex cases. Its atmospheric cinematography, coupled with strong performances from Billy Campbell and Karine Vanasse, gave the show a haunting tone. However, it ended with closure, the series’ quality and emotional depth left audiences wanting more. A continuation could easily explore new mysteries while maintaining its signature visual and emotional style.
The Border
“The Border” tackled pressing issues of national security, immigration, and law enforcement through a distinctly Canadian lens. Set around a fictional elite border agency, the show balanced intense action with thoughtful discussions about sovereignty and ethics. James McGowan and Sofia Milos led a strong ensemble that captured the tension of post-9/11 geopolitics. Its stories remain highly relevant, especially in the context of modern border debates and cybersecurity threats. Reviving “The Border” could offer fresh insights into global crises and Canada’s evolving role in them.
Street Legal (Original Series)
The original “Street Legal” was a cornerstone of Canadian television, running from 1987 to 1994. It brought viewers into the high-stakes world of Toronto lawyers navigating complex cases and personal drama. With its strong cast and sophisticated storytelling, it helped shape the landscape of Canadian legal dramas. The 2019 reboot briefly revived its legacy, but fans of the original still hope for a more enduring return. In an era of renewed interest in courtroom storytelling, “Street Legal” could thrive once again by tackling modern legal and ethical dilemmas.
The Listener
“The Listener” combined procedural drama with a supernatural twist, following Toby Logan, a paramedic with telepathic abilities. As he used his gift to help the police solve crimes, the show explored questions of trust, privacy, and morality. Craig Olejnik’s performance brought warmth and humanity to a concept that blended mystery with empathy. Though it concluded with a satisfying ending, its premise remains rich for continuation. A revival could explore Toby’s evolution and the broader consequences of his abilities in a more connected, digital age.
North of 60
“North of 60” was a powerful and authentic portrayal of life in a fictional Indigenous community in the Northwest Territories. It stood out for its representation, strong storytelling, and cultural respect, offering a nuanced look at relationships, traditions, and challenges in northern Canada. The cast, led by Tina Keeper and Tom Jackson, delivered some of Canadian TV’s most grounded performances. Though it ended in the late 1990s, its legacy remains strong. A revival could bring modern Indigenous perspectives and stories to a new generation, continuing its cultural impact.
Haven (Canadian Co-Production)
“Haven,” a Canadian-American co-production based on Stephen King’s The Colorado Kid, blended supernatural mystery with small-town intrigue. Set in the fictional town of Haven, Maine, it followed FBI agent Audrey Parker as she investigated bizarre occurrences known as “The Troubles.” The show balanced eerie storytelling with emotional depth and featured standout performances from Emily Rose and Lucas Bryant. While it concluded in 2015, its loyal fanbase still hopes for a continuation. With renewed interest in mystery-driven dramas, a return to Haven could explore fresh “Troubles” and unanswered questions.
Slings and Arrows
“Slings and Arrows” remains one of Canada’s most beloved and intelligent comedies, set behind the scenes of a fictional Shakespearean theatre festival. The show humorously depicted the chaos of creative life, featuring a stellar cast including Paul Gross, Martha Burns, and Mark McKinney. Its clever writing and emotional depth captured both the passion and absurdity of the performing arts. Though it ended after three seasons, its influence on Canadian television remains strong. A revival could easily explore modern theatre’s evolution while honoring its blend of wit and humanity.
This Life
“This Life” offered a deeply personal look at family, mortality, and resilience. The CBC drama followed Natalie Lawson, a single mother diagnosed with terminal cancer, as she navigated her remaining time with honesty and grace. Starring Torri Higginson, the show tackled heavy themes with compassion, never veering into melodrama. Its realistic portrayal of life’s fragility resonated deeply with viewers. Despite critical praise, it ended after just two seasons. A revival could further explore how Natalie’s family moves forward, continuing its message of courage and connection.
Bellevue
“Bellevue” was a moody and atmospheric crime drama that explored both mystery and identity in a small town. Anna Paquin starred as Annie Ryder, a detective haunted by her past while investigating a missing person case tied to her community’s secrets. The series stood out for its emotional depth, strong performances, and social awareness, particularly around gender and belonging. Despite its potential, it ended after one season. Given today’s appetite for layered, character-driven thrillers, Bellevue would make a powerful comeback with new cases and character growth.
Combat Hospital
“Combat Hospital” brought a fresh perspective to the medical drama genre, focusing on doctors and nurses serving in a NATO trauma hospital in Afghanistan. The series portrayed the intense realities of life in a war zone while balancing themes of compassion, courage, and camaraderie. Starring Elias Koteas and Michelle Borth, it was praised for its authenticity and emotional depth. Despite solid ratings, it was canceled after one season due to production challenges. A modern revival could revisit similar themes through current global conflicts and humanitarian missions.
Arctic Air
“Arctic Air” showcased the beauty and challenges of life in northern Canada, following a Yellowknife-based airline navigating survival, community, and identity. Starring Adam Beach, the series combined adventure with heartfelt storytelling and Indigenous representation. Its aerial cinematography and sense of place made it a visual standout in Canadian television. Though it ended after three seasons, fans appreciated its blend of family drama and northern spirit. A revival could highlight contemporary issues in remote aviation and environmental change while celebrating Canada’s northern resilience.
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